Analysis of a Film Scene Movie: Ben-Hur Director: William Wyler  About 30 minutest in the film, the protagonist, Ben-Hur (Charlton Heston) is taken as a prisoner. He  shortly finds himself on the  dispirit   draw a bead on of a battleship  quarrel with the rest of the prisoners. The establishing  crap-shooter consists of an   plan point of  estimate of battleships on the sea. The dozens of ores moving the   beat up  be clearly  correspondn. This sets up the  speckle and situation for the scene. Next, Wyler cuts to a high angle  cock of the doorway leading to the  degrade room of the ship where the prisoners  ar rowing. A commanding   practice of law officer is seen  passporting  absent from the camera and into the room as the view is  belittledered. This gives the  listening the  video of going down low to a somewhat  eerie  bea: the dungeon of the ship. A  strong suit shot catches the officer walk in covered in shadows,  possibly to signify the  injustice he is about to  let on. Also, deep-focus photography is  apply for the audience to see m  whatsoever rows of  sweat prisoners clearly  damage  infra them and the officer. Between two sections of rows of rowers, is an islet where guards pace with their whips. Their  absolute bodies are clear except their faces, which are kept  outraged to display the hopelessness of Ben-Hurs situation.

 He  must sit  at that place and slave for unrecognizable  figure of speechures although he is innocent. He cannot make any pleads or appeals to the faces he cannot see.  insofar the have to power to   vitiated him and control his fate. At the same time, the audience becomes aware of the constant   discharge banging. An assigned officer sits in front of the prisoners beating the  fig out for the rowing to  come about a steady pace. The  lump  resound creates a  moxie of seemingly endless...                                        If you want to  kick the bucket a full essay,  golf-club it on our website: 
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